![]() ![]() We invite you to contribution research and examples so that Americans for the Arts can continue to aggregate information for the broad community of arts administrators, public officials, private business leaders and individual creatives. Finally, we encourage you to explore the National Arts Administration and Policy Publications Database and its categories related to creative economy, creative industries, economic impact and creative workforce. ![]() We offer examples of communities that are establishing programs and channeling resources into the creative economy in an effort to address broader community issues. ![]() We recognize that these definitions will manifest themselves differently in each community and encourage readers to use these tools as a starting point or as another way to view the work. This toolkit provides a high-level overview of how to identify and define the creative economy in your community. The result is a complex ecosystem of industries, educators, resource providers and participants that centers around creativity. Artists, creatives and makers continually seek to do their work, choosing to work with both businesses and nonprofit arts groups resulting in an ever-blurred line between the independent and private sectors. Not only will you be improving the overall quality of a product, but successful centerlining can also improve safety, minimize waste, and minimize delays that manufacturing facilities often face.As the business landscape shifts and evolves, it’s no secret that millions of Americans are pursuing income streams that are based in creative pursuits. If you’re already using Six Sigma or are gearing up to implement TPM, centerlining is a great tool to use. Integrating the centerlining methodology can be extremely impactful on your business.
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